Literary Orphans

Two Poems by Bill Yarrow

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CAMP ATHEISM

Forgive us our trespasses because they’re boring.

The mental declension: smoke gets in your heart.

Getting on your high horse vs. getting high on horse.

 

The determinants of fire: incense and sentiment.

“While  I picture hope, I think of memory,” said

Kierkegaard. Corporate torpor is now universal.

 

Clichéd as a butterfly as an emblem of becoming.

Clichéd as a blossom as a metaphor of maturation.

A poem is a mirror, he said reflectively.

 

Remove cap before putting on headware.

Do not operate while urinating.

And the bland plays on.

 

A tourniquet of roses.

We are not alone, not as alone as we think.

No one dies standing up.

 

J’ RECLUSE

Blood refuses to fill the eyes since tears

have decided to vacate the heart since

breath has asked to move away since

muscle is refusing to obey the brain

since thinking is leaking from every pore.

 

What happened? Fitzgerald called it

“lesion of enthusiasm.” Baudelaire called

it “the shadow of the wing of madness”

passing over. Nijinsky called it “love”

and “God.” Groddeck called it “It.”

 

What do you call it, you who look at me

with ineffable eyes, you who come to me

defended with grief, you who call to me

from the outskirts of fog, you who, wrapped

in unhappiness, continue to endure?

O Typekey Divider

Bill Yarrow is the author of Blasphemer (Lit Fest Press 2015), Pointed Sentences (BlazeVOX 2012), and four chapbooks. His poems have appeared in many print and online magazines including Poetry International, RHINO, Contrary, DIAGRAM, FRiGG, Uno Kudo, Gargoyle, and PANK. He is a Professor of English at Joliet Junior College.

Bill Yarrow

O Typekey Divider

–Art by Karamelo

–Art by Mariya Petrova-Existencia

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