Literary Orphans

Rumor by Nate Maxson

Esmahan Özkan

We live in the after (or perhaps it’s just a rumor, I don’t quite remember)

Not the afterlife, let’s not be trite: but The After, what comes next/ on the other side of the mountains, in the five o’clock rain shadow

And if I squint to push through the photokeratitis (our name for snow-blindness though it can come from other sources)

I can be a witness (welding without the proper mask can also induce the condition)

As a large animal with pale, red lips and a heart condition that only manifests on leap years

Descends on chameleon wings (today’s the day)

Thin/over/down: alternative to a photograph

A field where the snow does not melt (even the frost on the railroad tracks only becomes brighter)

A death mask, made from a being that was still fully conscious: is it still a totenmasque? (as they call it in the preferred language for such things)

Names aside,

It can still hear the highway

They do have a word for its opposite as well though it’s perhaps less immediately thrilling

To note that trucks can only exhale

And while the Inuit invented goggles made out of Caribou antlers to prevent the condition

We are not far enough north for that

Because machines only breathe in the one direction

And the wings,

They don’t

And the wings (with diesel powered ripcords, never yanked hard enough like teeth to go into the atmosphere)

Nobody (not even a helium-slowed minotaur) ever expects the light to be what finds them out

O Typekey Divider

Nate Maxson is a writer and performance artist. He is the author of several collections of poetry, most recently “The Age Of Jive” from Red Dashboard Press and the forthcoming “The Whisper Gallery” from Lit Fest Press. He discovered poetry as a boy the way other people find religion or drugs and hasn’t looked back since. He lives in Albuquerque, New Mexico.

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O Typekey Divider

–Art by Milan Vopálenský & Esmahan Özkan

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